Artsy Satyr
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ganymedesrocks:
sculppp:
Seated Nude (ca. 1512) by Baccio Bandinelli
Bartolommeo “Baccio” Bandinelli (1493 - 1560), actually born
Bartolommeo Brandini, was a Renaissance Florentine Mannerist sculptor, a
reputed Italian draughtsman and painter. Bandinelli was trained as a
goldsmith by his father, Michelangelo di Viviani de’ Bandini, who was
patronized by the Medici family. Bandinelli,
Michelangelo-influenced works, were also favoured by the Medici
particularly in the second quarter of the 16th century. His
talents assiduitely marked a predilection for sculpture, he worked
under the sculptor Giovanni Francesco Rustici and became one of the
principal artists at the court of the grand dukes of Tuscany. He
founded an academy for artists in the Vatican (1531) and one in
Florence (c. 1550). Accounts of Bandinelli given in Giorgio Vasari’s
Lives and in the Autobiography of the sculptor Benvenuto Cellini
represent him as jealous, malignant, and untalented. He assumed the
surname Bandinelli in 1530.
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tutoyerlesanges:
academicstudypainting:
(via antonio-m)
http://tutoyerlesanges.tumblr.com/archive
Fyodor (Fidelio) Bruni 1799 – 1875
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hadrian6:
Laocoön and His Sons. 1894.
Antique Print, Antique Lithograph, Laokoon, Ancient Sculpture, Vatican Museum, Marble, Greek Art.
http://hadrian6.tumblr.com
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ganymedesrocks:
givemesomesoma:
Tripod found in Pompeii, featuring ithyphallic satyrs
I remember to have seen one with the Sotheby’s Versace
1st century A.D.
Bronze
Naples, National Archaeological Museum
I have loved the above tripod originating from Pompeii since I
was a kid, and I believe I saw it on display at the MFA Boston. The ithyphallic element
is prominent and is an attribute of these followers of Dionysus. Also
in ancient Roman society the erect phallus was displayed to ward off the
evil eye. Another important fact to always keep in mind is that not
many ancient bronzes have survived. So when you encounter one your very
lucky and make a strong mental note :)
Sale, that was in 2009 with the Villa Fontanelle sale; it also had an
elegant feature, that of a removable fig leaf
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centuriespast:
(via antonio-m)
MARSY, Gaspard
The Horses of the Sun
1668-75
Marble
Apollo Grotto, Versailles
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ganymedesrocks:
erosart:
(via antonio-m)
Oldřich Kulhánek (26 February 1940 – 28 January 2013) was a Czech
Oldřich Kulhánek
painter, graphic designer, illustrator, stage designer and pedagogue.
From 1958 to 1964 he studied at the Prague Academy of Applied Arts, in
the studio of Professor Karel Svolinský. The years of his apprenticeship
there, provided the foundation and inspiration of his artistic career.
Unfortunately his career was amply impeded till after the fall of
communism, where Kulhánek talent was then truly revelated to his fellow
countrymen; the government inviting him to create the design for the
current Czech banknotes and postage stamps.
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hadrian6:
Detail : The Farnese Hercules holding the Golden Apples of the Hesperides. early 3rd.century AD. Roman copy.
(via antonio-m)
National Archaeological Museum. Naples.
http://hadrian6.tumblr.com
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bloghqualls:
George Washington Lambert (1873-1930)
(via templeofposeidon)
Anzacs bathing in the sea, 1913
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manwearingcamisole:
(via mantegna1375)Labours of Hercules
Vincenzo de’ Rossi
c. 1560
Palazzo Vecchio, Florence
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hadrian6:
Vulcan. 1742. Guillaume Coustou the younger. 1716-1777. marble. Louvre Paris. http://hadrian6.tumblr.com
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hadrian6:
Mucius Scaevola. 1791. Louis Pierre Deseine. French 1749-1822. marble. Louvre Paris. http://hadrian6.tumblr.com
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(via joe2bb)
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fishstickmonkey:
Auguste Rodin, “Large Torso of The Falling Man, known as Torso of
Louis XIV” (1904), cast by Georges Rudier Foundry, 1969, bronze, Musée
Rodin, Paris (© Musée Rodin, photo by Christian Baraja)
(via Hyperallergic)
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hadrian6:
The Dying Hercules. 1812. Samuel Finley Breese Morse. American 1791-1872. plaster. http://hadrian6.tumblr.com
(via templeofposeidon)
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warriormale:
Nude
(via nude-beachnik)
images of male athletes and fighters could be found EVERYWHERE in ancient
Greece.
EVERYWHERE!
These
images were present wherever people gathered, to serve as symbols of Areté or
Manliness - to remind the ancient Greeks just how much they valued and
cherished Areté.
These
male nude images were symbols of Righteousness, that when a Man had Areté, that
he was in total possession of his Manhood.
A Man
with Areté had the ability and willingness to fight. He possessed all the Moral
Virtues that make Men GOOD, such as Humility, Integrity, Selflessness, Self
Control and showing the proper Respect for people, places and things.
Areté
was VERY IMPORTANT to the ancient Greeks.
Areté is VERY IMPORTANT to us as well.
WarriorMale
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hadrian6:
Standing Male Nude seen from the rear. 19th.century
John James Masquerier. British/French 1778-1855. charcoal/paper.
http://hadrian6.tumblr.com
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hadrian6:
Diomedes - A 2nd or 3rd century AD Roman copy of a Greek classical sculpture from about 430-370 BC.
http://hadrian6.tumblr.com
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hadrian6:
Sacrifice to Pan. 1790.
(via wilburwhateley)
Dirk Van der Aa. Dutch 1731-1809. oil/canvas.
http://hadrian6.tumblr.com
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desimonewayland:
George Romney, River God - undated drawing
(via templeofposeidon)
Yale - The Paul Mellon Centre for Studies in British Art
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hadrian6:
Detail : Hercules and Omphale. 19th.century.
(via sugaronastick)
Charles Gleyre. Swiss 1806-1874. oil/canvas.
http://hadrian6.tumblr.com
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100artistsbook:
vertigo1871:
(via nakidforest)
Georges Desvallières (1861-1950), Hercule au jardin des Hespérides, 1913
More male art at www.theartofman.net
Photo: Jean Schormans
Male photography at www.vitruvianlens.com
15% off all books with discount code NXY3Y88L
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hideback:
Jess (American, 1923-2004)
(via fishstickmonkey)
Narkissos, 1976-1991
graphite and gouache on cut and pasted paper
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(via nicolas-bonin)
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thunderstruck9:
Paul Cadmus (American, 1904-1999), Male Nude, c.1969. Chalk on black paper, 41.9 x 23.5 cm.
(via shadey76)
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joe2bb:
marcelenur:
(via joe2bb)
Fountain of the Sun.
APPARENTLY NOT: THE 5 BRONZE SCULPTURES WERE CONCEIVED BETWEEEN 1934 -37 BY ALFRED JANNIOT
Jaume Plensa. Spanish b.1955. bronze. Nice. France.
PLENSA DID SOME MODERN LIGHT SUPTURES ; ALSO ON PLACE MASSENA
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hadrian6:
Prometheus. 1835-41.
(via thesatyrsglade)
Filippo Gnaccarini. Italian 1804-1875. marble.
http://hadrian6.tumblr.com
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ganymedesrocks:
laclefdescoeurs:
Apollo en Hyacinthus en Amor, 1506, Marcantonio Raimondi
Marcantonio Raimondi, (c. 1480 - 1534), simply known as Marcantonio,
was an Italian engraver, known for being the first important printmaker
whose body of work consists mainly of prints copying paintings.
Raimondi received his training in the workshop of the famous goldsmith
and painter Francesco Raibolini, called Francia. The stiff, irregular
hatching; the compositional aspects and figurative details of his
earliest works reveal the influence of Francia. Raimondi’s production
of more than 300 prints did much to disseminate the style of the High
Renaissance throughout Europe, especially the work of Raphael.
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jihelle:
Vincenzo Gemito(I : 1852-1929), Il Filosofo, bronze, h 52 cm. Collezione privata
(via givemesomesoma)
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hismarmorealcalm:
Bertel Thorvaldsen (1770 – 1844) Relief of Hercules and Hebe 1808 Plaster
(via belovedantinous)
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ganymedesrocks:
Attributed to Severo Calzetta da Ravenna - active circa 1496-1543 a Kneeling Satyr - Bronze - Courtesy of Blumka
(via pathofpan)
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djinn-gallery:
Roman Lycurgus 1,600-year-old jade green chalice. a source of the
light inside it it magically changes colour. jade green when lit from
the front but blood-red when lit from behind or inside
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aezen:
MYTHOLOGY MEME: [2/9] greek gods
(via courtofsatyrs)
Dionysus is the god of the grape harvest, winemaking and wine, of
ritual madness, fertility, theatre and religious ecstasy in Greek
mythology. He created wine and spread the art of viticulture. He had a
dual nature; on one hand, he brought joy and divine ecstasy; or he would
bring brutal and blinding rage, thus reflecting the dual nature of
wine.
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